About my work.

I am a London-based artist whose practice is rooted in a process-led approach, where intuition and accident are balanced by a strong sense of structure and order. The interplay between control and gestural freedom is central to my work, inviting the viewer to engage with both its formal and intuitive qualities.

I never plan a painting in advance. While I may begin with a colour palette or idea about process, the real pleasure lies in the act of making and in not knowing how a painting will emerge. This openness allows each work to develop its own internal logic and direction.

The grid motif—intersecting horizontal and vertical lines—provides a framework within which I explore painterly gesture and colour relationships. Working in this way, building intuitively without a fixed plan, can evoke memory, place, or a state of mind. Titles arise instinctively, often referencing specific locations or past experiences.

My recent and ongoing series: Time & Motion focuses more on the cursive*, via painterly gesture. While hard-edged elements remain, these now serve to define and capture gesture’s movement in time across a surface; a shift which allows further exploration of what paint and colour relationships can do to surprise. Perhaps more importantly for me, they also highlight a recurrent theme in my work relating to handwriting - a complex neurological act of human expression, which I fear is now in growing danger of extinction due to an increasingly digital age.

(*Cursive - any style of writing in which letters are written in a flowing manner)

My work can be found on Rise Art and SOTA Marketplace.

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